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Who square measure the $64000 monsters among us? That’s the question lurking at the center of an author and director Giddens Ko’s sophomore effort, mon mon mon MONSTERS, that closes this year’s Metropolis International Festival

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Taking a radical departure from his 2011 romantic high school dramedy you’re the Apple of My Eye (a, ahem, monster hit), mon mon mon MONSTERS is as dark, violent and doctrine as Apple was bright, soft and bittersweet. impressed by Mikael Hafstrom’s Evil, MONSTERS is way a lot of literal in its horror aspirations, commutation Hafstrom’s ill-used younger students with a supernatural creature, and therefore the ineffective Nazi-ish academics with ineffective Buddhist ones. What the films do share may be a lack of bigger insight into the character and supply of violence and bullying. Ko’s genre-melding film is however obsessively watchable, with flashes of dark, pithy comedy that carry it past its lumpier elements. MONSTERS’ charming young forged and Ko’s grasp of hanging visuals and unceasingly current thematic undertones ought to facilitate the film fare well in Taiwan upon its season unleash and in most of Asia. a number of various festivals — initial and foremost Asia-focused and genre events — can line up to ascertain this out.

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The existence of the film’s titular monsters isn’t ambiguous, as blow begins the action in one amongst Taipei’s myriad, clammy underground passages, wherever a homeless man is descended upon by a combine of vampiric, CHUD-like quasi-zombies. It’s simply a style of the gore to return. ensuing morning in a very native high school, straight-A student statue maker Shu-Wei (Deng Yu-Kai) is that the target for the category bullies, subjected to all or any manner of in-class humiliations — with the blessing of his passive,

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